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Could it be that their insights and radical ideas still offer an alternative to a fashion system that is coming under increasing pressure? From Comme des Garçons's Spring-Summer 1997 collection, titled "Body Meets Dress, Dress Meets" Since the '70s, Kawakubo has presented her work as absolute innovation, banishing any form of historical contextualization. Although cultural and historical references can also be detected in her work, she markedly rejects the past. With every collection she tries to start with a blank slate, challenging existing notions of form, gender, style and beauty. The exhibition at the Met illustrates this strikingly. The clothing is arranged in what looks like a futuristic and abstract landscape that appears -- at first sight -- to be devoid of references. In this way, the pieces are presented as concepts or proposals rather than as functional clothing. This is a radical attempt to break through the cyclical nature of fashion, in which ideas and forms keep recurring. After all, if fashion works cyclically, where is the room for evolution?
For the original version including any supplementary images or video, visit เสื้อผ้าเด็ก ราคาถูก rel='nofollow'>http://www.cnn.com/2017/05/26/fashion/fashion-exhibitions-margiela-commes-des-garcons-balenciaga/index.html